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Sydney Festival did not rise to last year’s heights, but still a cut above many

Sydney Festival did not rise to last year’s heights, but still a cut above many

Soaring sitar music, shining lighthouses and slippery slopes were a feature of this year’s summer cultural festival.

  • by John Shand and Helen Pitt

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No serious theatre lover should miss this epic event

No serious theatre lover should miss this epic event

This wrap of shows around Melbourne includes The Inheritance at fortyfivedownstairs, On the Uncertainty of Signs, Malevo, and Gracie Abrams at the Forum.

  • by Cameron Woodhead, Sonia Nair, Andrew Fuhrmann and Giselle Au-Nhien Nguyen
This play tells you to trust nothing – including theatre
★★★★
Sydney Festival

This play tells you to trust nothing – including theatre

Our reviewers give their verdict on the latest offerings from Sydney Festival.

  • by John Shand, Harriet Cunningham and James Jennings
Veteran actors play teenagers in a show that is both comedic and poignant

Veteran actors play teenagers in a show that is both comedic and poignant

This wrap of shows includes Seventeen; Dog Man: The Musical; Neil Gaiman and FourPlay; Peter Cat Recording Co.; Hope Hunt and the Ascension into Lazarus; and more.

  • by Cameron Woodhead, Giselle Au-Nhien Nguyen, Andrew Fuhrmann and Jessica Nicholas
It’s got groove, it’s got meaning: Yes, Grease is (still) the word

It’s got groove, it’s got meaning: Yes, Grease is (still) the word

This wrap of shows includes Grease, Fantastic Mr Fox, Harold Lopez-Nussa, Circus 1903, The Choir of Man, and the Peninsula Summer Music Festival.

  • by Cameron Woodhead, Jessica Nicholas, Andrew Fuhrmann, Sonia Nair and Tony Way
Nellie Small: Black, queer, proud … and way before her time
★★★½
Sydney Festival

Nellie Small: Black, queer, proud … and way before her time

Our reviewers give their verdict on Sydney Festival’s first batch of shows, including Send For Nellie; A Bucket of Beetles; Il Tabarro; Smashed: The Nightcap; Encantado; and Bananaland.

  • by John Shand, Chantal Nguyen, Cassie Tongue, Peter McCallum and Kate Prendergast
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Opera Australia has found for itself a triumphant ‘new’ La Traviata
★★★★½
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Opera Australia has found for itself a triumphant ‘new’ La Traviata

This much-loved Verdi classic becomes a deeper psychological journey in the hands of director Sarah Giles.

  • by Peter McCallum